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PIETER BRUEGEL DER ÄLTERE (um 1526/30 – 1569) gilt als größ-
ter nieder ländischer Zeichner des 16. Jahrhunderts. Bereits zu 
seinen Lebzeiten wurden seine Zeichnungen hoch geschätzt 
und viele fanden als Vorlagen für Kupferstiche weite Ver-
breitung. In einer Zeit der politischen, sozialen und religiösen 
Um brüche entwarf Bruegel eine ebenso komplexe Bildwelt. 
Humor voll und volksnah, scharfsinnig und zutiefst kritisch 
refl ektierte er die gesellschat lichen Verhältnisse seiner Epo-
che. Der Kata log beleuchtet Bruegels künstlerische Ursprünge 
und bietet einen Überblick über alle Themenbereiche seines 
graphischen Scha
 ens. 
DAS ZEICHNEN DER WELT
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PIETER BRUEGEL THE ELDER (ca. 1526 /30 – 1569) is considered 
the greatest Netherlandish drat sman of the 16th century. Even 
 during his lifetime, his drawings were highly regarded and many 
were widely distributed as print designs. In an age of political, 
social, and religious change, Bruegel created an equally complex 
pictorial world. Humorous and down-to-earth, sharp- witted and 
deeply critical, he refl ected on the society of his day. This catalog 
illuminates Bruegel’s artistic origins and o
 ers an overview of the 
many topics in his graphic work.
WWW.HIRMERPUBLISHERS.COM
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PIETER
BRUEGEL
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DRAW ING THE WORLD
Edited by Eva Michel
With a foreword by Klaus Albrecht Schröder
and contributions by Daniela Hammer-Tugendhat,
Eva Michel, and Laura Ritter
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7
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31
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67
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143
169
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217
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231
Contents
k l a u s a l b r e c h t s c h r ö d e r
Foreword
e v a m i c h e l
“He drew very precisely and neatly with the pen”
Pieter Bruegel as Draftsman
l a u r a r i t t e r
“In the manner of Hieronymus Bosch”
Forms, Functions, and Methods of Artistic Appropriation
in the Graphic Work of Pieter Bruegel the Elder
d a n i e l a h a m m e r - t u g e n d h a t
“This Bruegel has painted many things which cannot be painted”
Innovative Artistic Modes as a Means of Social Criticism
Catalog
Between Fields and Kermis
The Invention of the Landscape
Engraved Ethics
Diablerie and Drollery
On Art and Artists
Appendix
Biography
Register of Bruegel’s Graphic Work at The Albertina Museum
Selected Literature
Photo Credits
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This catalog has been published on the occasion of the exhibition
Pieter Bruegel. Drawing the World.
The Albertina Museum, Vienna
September 8 – December 3, 2017
531st exhibition of The Albertina Museum
Exhibition
Director General Klaus Albrecht Schröder
Curator Eva Michel
Curatorial Assistant Laura Ritter
Exhibition Management Barbara Buchbauer, Kristin Jedlicka
Conservatorial Supervision Elisabeth Thobois, Karine Bovagnet,
Klaus Mohideen-Rubitzko
Framing and Mounting Michael Loacker, Laura Beiglböck,
Gerhard Forster
Catalog
Edited by Eva Michel
Editorial Team Eva Michel, Laura Ritter
Authors Eva Michel (E.M.), Laura Ritter (L.R.),
Daniela Hammer-Tugendhat
Project Direction Sandra Maria Rust
Project Management, Hirmer Karen Angne
Copyediting Danko Szabó, Munich
Translations German–English Gérard A. Goodrow, Cologne
Design and Production Peter Grassinger
Typesetting Petra Ahke, Berlin
Pre-press Reproline Genceller, Munich
Paper GardaPat 13 Bianka, 150 g/m2
Typeface Sabon Next LT Pro
Printing and Binding Passavia Druckservice, Passau
Printed in Germany
Bibliographic information published by the Deutsche
Nationalbibliothek.
The Deutsche Nationalbibliothek lists this publication in the
Deutsche Nationalbibliografie; detailed bibliographic data is
available on the Internet at http://dnb.de.
© 2017 The Albertina Museum, Vienna, Hirmer Verlag GmbH,
Munich, and authors
ISBN 978-3-7774-2863-5 (English edition)
ISBN 978-3-7774-2866-6 (German edition)
www.hirmerpublishers.com
Exhibition Sponsor
Partners of The Albertina Museum
The English edition of this catalog was made possible by the
generous support of the Friends of The Albertina Museum.
Illustrations
Front cover: detail from p. 90; back cover: detail from p. 211;
frontispiece: detail from pp. 160/61; p. 4: detail from p. 127; p. 6:
detail from p. 163; pp. 10/11: detail from p. 181; pp. 12/13: detail
from p. 81; p. 14: detail from p. 89; p. 30: detail from p. 197; p. 48:
detail from p. 162; pp. 64/65: detail from pp. 96/97; p. 66: detail
from p. 80; p. 98: detail from p. 117; pp. 128/29: detail from p. 130;
p. 142: detail from p. 165; p. 168: detail from p. 182; pp. 186/87:
detail from p. 185; p. 200: detail from p. 211; p. 216: detail from
p. 123; p. 218: detail from p. 180
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