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	AUDIO TRACKS
	FOREWORD
	PREFACE
	CHAPTER 1 Mastering Chords
	Chord Types
	Voice Leading
	Practice
	CHAPTER 2 Bass Parts
	Bass Part 1: Root Only (1)
	Bass Part 2: Root and Fifth (1-5)
	Bass Part 3: Root, Fifth, and Octave (1-8-5-1)
	Bass Part 4: Root, Fifth, Octave, and 9 (or Flat 9)/3 (1-5-8-9[Flat 9]/3)
	Practice
	CHAPTER 3 Harmonizing the Melody
	Harmonizing Chord Tones vs. Non-Chord Tones
	Coupling Notes
	Fingering for Coupling Notes
	Practice
	CHAPTER 4 Tension Substitutions
	Basic Chord Types and Tension Substitutions
	Practice
	CHAPTER 5 Syncopation
	Practice
	CHAPTER 6 Comping in Rhythm
	“Random” Comping
	Particalized Random Comping
	Pianisticizing Your Accompaniment
	Practice
	CHAPTER 7 Walking Bass Lines
	Harmonization with Major and Minor Triads
	Derivative Bass Lines
	Practice
	CHAPTER 8 Open Voicings
	Drop Voicings
	Drop-2
	Drop-3
	Drop-4
	Drop-2 and -4 Voicings
	Adding the Root
	Substitute Tensions
	Range
	Practice
	CHAPTER 9 5-Part Fourth Voicings
	Practice
	CHAPTER 10 Upper-Structure Triads
	Upper-Structure Fourth Voicings
	Dominant 7 Converted to Sus4
	Practice
	CHAPTER 11 Larger Voicings
	Creating Larger Voicings
	Practice
	CHAPTER 12 Approach-Note Harmonization
	Diminished Approach Chord
	Altered Dominant Approach Chord
	Chromatic Approach
	Stepwise Diatonic Approach
	Parallel Approach
	Practice
	CHAPTER 13 Introduction to Improvisation
	Basic Melodic Lines
	Carrier Chords
	Approach Notes
	Delayed Resolution
	Practice
	CHAPTER 14 Rhythmic Displacement
	Skipping Notes
	Practice
	CHAPTER 15 Pentatonic Scales and Chords
	Scales
	Major Pentatonic
	Minor Pentatonic
	Improvising with Pentatonic Scales
	Intervallic Links
	Dominant Chord Replacement
	Three-Part Fourth Voicings
	6/9 Chords and Inversions
	6/9 Chord Substitutions
	Using 6/9 Voicings
	Practice
	CHAPTER 16 Modal Melody and Harmony
	Modes
	Creating a Modal Melody
	Creating a Modal Harmonic Framework
	Activated Modal Frameworks
	Combinations of Modes in Melody and Harmony
	Using Modes in Improvisation
	Practice
	CHAPTER 17 Jazz Counterpoint
	Tension Resolution as Counterpoint
	Upward Resolution
	Four-Part Counterpoint
	Practice
	CHAPTER 18 Additional Harmonizations
	Substitute Dominant 7 Chords
	Replacing Dominant 7 Chords With Minor 7 Chords
	Special Voicing
	Practice
	APPENDIX A Lead Sheets
	APPENDIX B Etudes
	APPENDIX C Berklee College of Music Piano Requirements
	GLOSSARY
	ABOUT THE AUTHOR