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Disc.: LITERATURA INGLESA 
Aluno(a): TARCISIANE DE ARAUJO CRUZ 202104582171
Acertos: 2,0 de 10,0 10/01/2023
Acerto: 1,0 / 1,0
So suggestive, in fact, are the circumstances described here (and elsewhere) [about the Sonnets] that readers
will be forever tempted to posit a 'story' for the Sonnets. But if there is a larger story, it is of interest because it
is realized in the particular, which is not to say that the Sonnets altogether lack an element of narrative, but that
narrative is embedded in the recognition of newly intense emotional exchanges and changes in the imagined
relationship.
Source: POST, Jonathan F. Shakespeare's Sonnets and Poems: a very short introduction. Oxford: Oxford
University Press, 2017.
After reading the contextualization above, read the affirmative below.
I. Together, the sonnets in Shakespeare's sequence sketch a storyline about the sonneteer.
II. Alone, each sonnet reveals a state of mind (and heart) sprung out from the suggested series of events.
III. Reading in between sonnets is helpful to establish new connections among the sequence.
I, only.
II, only.
 I, II and III.
II a III, only.
I and III, only.
Respondido em 10/01/2023 11:37:05
Explicação:
A resposta certa é: I, II and III.
Acerto: 1,0 / 1,0
We studied how the Petrarchan sonnet was transplanted to England with the help of poets such as Sir Philip
Sidney and Thomas Wyatt on the 1590s. Later, Edmund Spenser, on the pages of his Astrophel and Stella,
explored the sonnet form by using new rhyme schemes - which distinguished himself from an objective
reproduction of the Petrarchan sonnet. However, almost every sonneteer inscribes the same general topic on
their poems.
Source: (adapted from) GUEIROS, Nehemias. ''Estudo: Mistério do Soneto Shakespeariano''. In: SHAKESPEARE,
William. 50 Sonetos (trad. Ivo Barroso). Rio de Janeiro: Nova Frontera, 2015.
Mark the option which correctly describes this topic.
The speaker of the sonnet most commonly praises the church.
 Questão1
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 Questão2
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The speaker of the sonnet most commonly scorns other poets.
The speaker of the sonnet most commonly talks about his family.
 The speaker of the sonnet most commonly praises his beloved.
The speaker of the sonnet most commonly praises his editor.
Respondido em 10/01/2023 11:37:18
Explicação:
A resposta certa é: The speaker of the sonnet most commonly praises his beloved.
Acerto: 0,0 / 1,0
The poems addressed to the 'Dark Lady' begin with a justification of her complexion - it is assumed from the
outset that her variance from the traditional ideal requires a justification.
In the old age black was not counted fair,
Or if it were it bore not beauty's name;
But now is black beauty's successive heir,
And beauty slandered with a bastard shame' (from Sonnet 127)
Source: ORGEL, Stephen. ''Introduction''. In: SHAKESPEARE, William. The Sonnets. EVANS, G. Blakemore (ed.).
Cambridge: Cambridge University Press, 2006.
After reading the exposition above, we understand that the 'Dark Lady' of Shakespeare's Sonnets
 ... alters only the name of the Petrarchan idealized Laura.
... differs from Petrarch¿s idealized Muse only to follow his contemporary, Edmund Spenser.
... is the same as the Petrarchan ideal of his sonneteer's beloved.
 ... differs from the Petrarchan ideal of his sonneteer's beloved.
... imitates Petrarch's idealized Laura in all aspects but content.
Respondido em 10/01/2023 11:37:37
Explicação:
A resposta certa é: ... differs from the Petrarchan ideal of his sonneteer's beloved.
Acerto: 0,0 / 1,0
Complete the gaps in the following statements, so that they become true.
Shakespeare alluded to a variety of previous works of art and references in his plots, some of which originated in
medieval periods. For instance, some characters' villainy mingled with humorous asides originated from (1)
_____________. Similarly, the lascivious (2) _____________ in between acts have their roots in the folkloric
morris dance. When it comes to Antique literature references, a pervasive archetype is the one of (3)
_____________, who encumbers the lovers' relationships.
(1) jigs/ (2) Vices/ (3) the blocking father
 (1) the Vice/ (2) jigs/ (3) the blocking father
 (1) jigs/ (2) Everyman/ (3) the blocking father
(1) the blocking father/ (2) jigs/ (3) the Vice
(1) Everyman/ (2) Vices/ (3) the blocking father
Respondido em 10/01/2023 15:02:53
Explicação:
 Questão3
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 Questão4
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A resposta certa é: (1) the Vice/ (2) jigs/ (3) the blocking father
Acerto: 0,0 / 1,0
Reread part of Othello's speech in court to try to convince the Senate that his love for Desdemona is reciprious.
Then, choose the most appropriate option. ''It was my hint to speak-such was my process-/ And of the cannibals
that each other eat,/ The Anthropophagi, and men whose heads/ Do grow beneath their shoulders. These things
to hear/ Would Desdemona seriously incline.'' (1.3.166-170)
The moore's main argument revolves around the report of Desdemona's admiration for his bravery
during his trips, even though she does not agree with his description of natives of foreign lands.
Othello claims that he has always avoided reporting his painful past, but felt comfortable to do so in
Desdemona's presence.
 By the time Othello addressed the Senate, Desdemona's father was not aware of the moor's life events.
 The highlighted extract reports part of a series of terrible events in the moore's life, which included
slavory and trips to remote territories, but which prove one of his characteristics that attracted
Desdemona: his bravery.
In such lines, Othello admits that Desmona feared him after becoming acquainted with his past.
Respondido em 10/01/2023 11:38:01
Explicação:
A resposta certa é: The highlighted extract reports part of a series of terrible events in the moore's life, which included
slavory and trips to remote territories, but which prove one of his characteristics that attracted Desdemona: his bravery.
Acerto: 0,0 / 1,0
Read and compare these quotes from Romeo and Juliet and Much Ado About Nothing, respectively. Afterwards,
choose the most appropriate alternative concerning their plots.
(1) ''Some shall be pardoned, and some punished./ For never was a story of more woe/ Than this of Juliet and
her Romeo.'' (5.3.324-326)
(2) ''Beatrice: I would not deny you, but, by this good day, I yield upon/ great persuasion, and partly to save
your life, for I was told/you were in a consumption.
Benedict: Peace! I will stop your mouth.'' (5.4.96-100)
Both scenes summarize the happy closures of the plays: in (1), evil characters would be either
''punished'' or ''pardoned'', and in (2) the two lovers affectionately joke about their relationship and kiss
each other.
Both extracts help convey a peaceful atmosphere. However, in (1) peace derives from mourning and in
(2) it results from Benedict's request.
 The first quote is professed by Prince Escalus so as to describe his feeling of grief which stemmed from
the tragic ending of the play, despite the humorous lines and comedy structure from its beginning. The
second, in contrast, consists of a scene conveying an affectionate reciprocity and levity between the
lovers after mishaps.
 Both scenes describe problematic relationships and tragic endings, for the first plot involves terrible
deaths and in the second one Beatrice feels impelledto be with Benedict, pitying him.
The first and the second extracts convey the tragic endings of both plays, and in the second quote, even
though the former lovers remain alive, Benedict expressess aggressiveness towards Beatrice, demanding
her to be quiet.
Respondido em 10/01/2023 11:38:25
Explicação:
A resposta certa é: The first quote is professed by Prince Escalus so as to describe his feeling of grief which stemmed
from the tragic ending of the play, despite the humorous lines and comedy structure from its beginning. The second, in
contrast, consists of a scene conveying an affectionate reciprocity and levity between the lovers after mishaps.
 Questão5
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 Questão6
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Acerto: 0,0 / 1,0
After leaving university, instead of taking orders and dedicating to a career in the Anglican church, Marlowe went
to London and, there, giving ways to his restless temperament and to his brilliant mind, he lived a life of
wantonness and fights both on the streets and in the taverns where he found those with a similar temperament
(...). Marlowe's last encounter with the law was profoundly serious, when he faced the accusation of atheism
and unpiety, grave faults at the time. (HELIODORA, 2015, p. 171)
Source: (adapted from) HELIODORA, Bárbara. ''Dramaturgia Elizabetana: Uma Introdução''. In: Dramaturgia
Elizabetana. São Paulo: Perspectiva, 2015.
After reading the contextualization above and the affirmatives below, mark the only option indicating the correct
set of affirmative(s).
I. Marlowe had small problems with the law at his time and lived an untroubled life in London.
II. Marlowe's settling in London was part of moving away from taking orders as an Anglican cleric.
III. Marlowe's short career as a playwright was, probably, the result of the agitated life he had among drinks,
fights and plays.
II, only.
 I and III, only.
I, II and III.
II a III, only.
 I, only.
Respondido em 10/01/2023 11:38:42
Explicação:
A resposta certa é: I and III, only.
Acerto: 0,0 / 1,0
[Regarding the cycles], each guild was responsible for representing just one episode, staged on top of a wheel
cart and, on the day of [Corpus Christi], following the sequence of the Bible, these carts enacted the whole
collection of mysteries, from Genesis to Judgement Day (...). It is obvious that on top of these carts it was not
possible to stage big scenarios, so that this scenic tradition has two important consequences for the Elizabethan
Theater: the absence of scenarios, with a common scenic space for every action in play, and the challenge to
create visual images through their words to compensate for this absence of scenarios. (HELIODORA, 2015, p.16-
17)
Source: (adapted from) HELIODORA, Bárbara. ''Dramaturgia Elizabetana: Uma Introdução''. In: Dramaturgia
Elizabetana. São Paulo: Perspectiva, 2015.
I. Elizabethan theater was known for its lack of props and scenarios on the stage.
BECAUSE
II. They had a lot of problems with rats at Southbank, which usually destroyed all the props and clothing of the
plays.
Regarding these affirmatives, mark the correct option.
Affirmatives I and II are false.
Affirmatives I and II are true, II is a correct justification of I.
 Affirmative I is true, and II is false.
Affirmative I is false, and II is true.
 Affirmatives I and II are true, but II is not a correct justification of I.
Respondido em 10/01/2023 11:38:50
 Questão7
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 Questão8
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Explicação:
A resposta certa é: Affirmative I is true, and II is false.
Acerto: 0,0 / 1,0
What is correct to claim about the English Reformation? 
I. it refused the existence of purgatory 
II. it debated questions of theology concerning free will and grace 
III. it questioned the sacraments 
Only II and III are true 
Only I and II are true 
Only I and III are true 
 I, II and III are true 
 None of the above 
Respondido em 10/01/2023 11:38:56
Explicação:
A resposta certa é: I, II and III are true 
Acerto: 0,0 / 1,0
The Elizabethan Age (or Golden Age) was a period in which music, art and literature thrived. Choose the
alternative which contains representatives of this flowering of the arts: 
Edmund Spenser, John Milton and John Donne 
 William Shakespeare, Christopher Marlowe and Edmund Spenser 
 Thomas Kyd, John Milton and William Shakespeare 
Christopher Marlowe, Edmund Spenser and Geoffrey Chaucer 
William Shakespeare, Thomas Kyd and Geoffrey Chaucer 
Respondido em 10/01/2023 11:39:05
Explicação:
A resposta certa é: William Shakespeare, Christopher Marlowe and Edmund Spenser 
 Questão9
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 Questão10
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